San Diego Professional Theatre: The Old Globe
Jane Austen’s Emma: A Musical Romantic Comedy by Paul Gordon (2011)
“a timeless love story…new romantic comedy”
“classic come to life as a musical romantic comedy”
Death of a Salesman by Arthur Miller (2011)
“major works of American drama that defined an era”
“classic dramas of the American theatre”
Groundswell by Ian Bruce (2011)
“searing and suspenseful drama”
“South African crime drama”
Rafta, Rafta by Ayub Khan-Din (2011)
“British comedy”
“hugely warm-hearted, comic tale”
Life of Riley by Alan Ayckbourn (2011)
“off-beat comedies”
“satisfyingly rich, tragi-comic complexity”
August: Osage County by Tracy Letts (2011)
“this modern classic brought Broadway audiences to their feet”
“original and corrosive black comedy”
Much Ado About Nothing by William Shakespeare (2011)
“One of the most popular and charming of Shakespeare’s comedies”
“one of Shakespeare’s greatest comedies”
The Tempest by William Shakespeare (2011)
“the final and most beloved masterpiece of Shakespeare’s life”
“Neither tragedy, nor comedy, the play is sometimes classified as a romance...famous drama”
Amadeus by Peter Shaffer (2011)
“part biography and part murder-mystery”
Full Length, Drama
Engaging Shaw by John Morogiello (2011)
“unexpected new comedy”
a charming romantic comedy
San Diego Academic Theatre: University of San Diego Theatre Department
The Mail Order Bride by Charles Mee (2011)
“this comedy of Manners offers up plot twists”
“new comedy”
Mrs. Bob Crathit’s Wild Christmas Binge by Christopher Durang (2010)
“This farcical send-up of the perennial Dickens Christmas classic”
“comedy….parody”
Rosencrantz and Guildenstern Are Dead by Tom Stoppard (2010)
“this metaphysical puzzle of a comedy”
“stimulating, funny, imaginative comedy”
The Saint Plays by Erik Ehn (2010)
“contemporary fairy tales”
“a set of phantasmagorical mini-dramas”
An Experiment with an Air Pump by Shelagh Stephenson (2009)
“thought provoking tragic comedy with a bit of mystery thrown in”
“touched several theatrical genres at once; the farce of a play within a play; the drama of false seduction; the thrilling on-stage murder”
Cabaret by Joe Masteroff (2009)
“legendary landmark musical”
“provocative and challenging musical of its day”
Picasso at the Lapin Agile by Steve Martin (2008)
“absurdist comedy”
“sophisticated comedy”
S.A.M. I Am by Garrett Omata (2006)
“affable urban comedy”
“enjoyably sardonic comedy”
The Crucible by Arthur Miller (2006)
“this American classic”
“exciting drama…is both a gripping historical play and a timely parable”
The Diviners by Jim Leonard, Jr. (2005)
“rarely-performed allegorical play”
“gothic prairie melodrama”
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